In the
latest Principals’ magazine the National
President of the NZ Principal Federation Whetu
Cormack writes that we are at the ‘start of a new educational era’. ‘Standardisation has gone along with the competition it engendered, the
narrowed curriculum, the obsession with data, and the endless comparison.’
Whetu Cormack |
Business
‘guru’ Steven Covey’s advice,
writing about habits of effective leadership, was to ‘begin with end in mind’. What do we want our schools to achieve
for their students? What do we need to change to ensure the unique range of
gifts and talents of our students?
Lester
Flockton , in the same principals’ magazine, makes the point that New
Zealand’s rankings in international tests have been falling commenting
ironically that this is at a time of considerable literacy
and numeracy intensification. In the 70s New Zealand was a world leader in
literacy – now, it seems, we are 32nd! Tomorrow’sSchools (1986), Flockton
reflects was implemented by the then Labour Prime Minister David Lange on the
grounds ‘good people poor system’.
Lester Flockton |
Lester
write that 30 years later we have wasted excessive amounts of time and
resources replacing approaches of the past that weren’t broken and didn’t need
fixing. It time, says Lester ‘to put the
shine back on teaching’ to create a nurturing environment for both teachers and
students. ‘For too long our system has suffered from those who mistakenly think
they know better’.
So what is the ‘end in mind’ for teachers in
the 21stC?
A respected educationalist Sir Ken Robinson, who has recentlypresented in New Zealand. Says that ‘creativity is as important as literacy and
numeracy’. Another educationalist, well known to many New Zealand teachers, Guy Claxton writes that ‘learnacy is
more important that literacy and numeracy.’
New Zealand pioneer creative teacher Elwyn Richardson proves inspiration forteachers today.
His book ‘In the Early World’ should be in every primary classroom and thankfully has been reprinted by the NZCER 2012. Elwyn saw his class 'functioning as a community of artists-scientists- each person counted and was expected to make a contribution to the class community'. Elwyn Richardson gave his students 'the opportunity to
reach their full height as artist, as craftsmen, as scientists,
and as students, through the establishment of a community based on mutual
self-respect'.
His book ‘In the Early World’ should be in every primary classroom and thankfully has been reprinted by the NZCER 2012. Elwyn saw his class 'functioning as a community of artists-scientists- each person counted and was expected to make a contribution to the class community'. Elwyn Richardson gave his students 'the opportunity to
Elwyn Richardson |
The last
three decades have compromised the unique child centred approach that was
highly respected world-wide up until the introduction of Tomorrows Schools
followed by technocratic curriculum and National Standards and the associated
assessment requirements.
If schools were to focus on developing their
classrooms as communities of learning based on developing the gifts and talents
of all students what would need to change?
A brief
visit to most classrooms will illustrate that literacy and numeracy rule
supreme. As one commentator has written ‘the evil twins of literacy and
numeracy have gobbled up the entire day’. The shape of the daily programme
provides a message of what is seen to be important and this is reinforced by
the narrow scope of achievement data collected.
I
n the 1970s progressive educator John Holt wrote, ‘school must become communities in
which children learn, not by being preached at, but by living and doing, to
become aware of the needs of other people.’ There is a need to make schools, 'a
place in which a child has so much respect for his own work that he will
respect the work of others and will be naturally concerned to make the school a
place where everyone can do best at whatever kind of work he wants to do.’
John Holt |
John Holt was once asked a question. 'If schools were to take one giant
step forward this year towards a better tomorrow, what would it be?
'Holt replied, ' it would be to let every child be the planner, director and assessor of his own education, to allow and encourage him, with the inspiration and guidance of more experienced and expert people, an as much help as he asked for, to decide what he is to learn, when he is to learn it, and how well he is learning. It would make our schools....a resource for free and independent learning’.
'Holt replied, ' it would be to let every child be the planner, director and assessor of his own education, to allow and encourage him, with the inspiration and guidance of more experienced and expert people, an as much help as he asked for, to decide what he is to learn, when he is to learn it, and how well he is learning. It would make our schools....a resource for free and independent learning’.
Guy Claxton |
The
writings of Sir Ken, Guy Claxton, Elwyn Richardson, John Holt and many
others ask for a transformation of our classrooms.
There are those who believe that this might be beyond the capabilities of teachers whose only experience is post Tomorrow’s Schools (1986) but, in contrast, there are others who believe that many teachers are teachers are looking for a ‘new direction’, one that really values their professional involvement.
There are those who believe that this might be beyond the capabilities of teachers whose only experience is post Tomorrow’s Schools (1986) but, in contrast, there are others who believe that many teachers are teachers are looking for a ‘new direction’, one that really values their professional involvement.
Jerome Bruner, another resected educationalist, wrote many
years ago that ‘teaching is the canny art
of intellectual temptation’ bringing up the question how can we ‘tempt’ our
students so that they can realise the ideas expressed by John Holt. This would
be an ideal topic for a school Teacher Only Day.
Transferring this ideal of a community of
learners to the daily programme is the challenge.
I
n the60/70s many teachers (mostly in junior classes) were experimenting with whatwas called developmental programmes in an attempt to extend the way young
children learnt before formal schooling. Classrooms were set up with
stimulating activities for students to become involved with. Later in the
morning the day morphed into language arts activities and maths tasks. Centres
of interest studies provided motivation and natural involved language, creative
arts, maths.
Jerome Bruner |
Such organisations still form the basis of many
junior classrooms and align well with modern ‘play based’ programmes.
Developmental
education forms the basis of Kelvin
Smythe’s writings.
Kelvin is an ex Senior Inspector of Schools and shares his ideas through his Netkonnect Website. Kelvin sees learning as a holistic or integrated experience and has dedicated much of his efforts sharing the ideas of Elwyn Richardson, Sylvia Ashton Warner and creative teachers he has worked with. He believes that it is the sharing of the
deas of creative that is the best way to move forward.
He worries that in past decades we have sacrificed the affective side of
learning by overemphasizing cognitive achievement.Kelvin is an ex Senior Inspector of Schools and shares his ideas through his Netkonnect Website. Kelvin sees learning as a holistic or integrated experience and has dedicated much of his efforts sharing the ideas of Elwyn Richardson, Sylvia Ashton Warner and creative teachers he has worked with. He believes that it is the sharing of the
Link to Kelvin's Attack documents mentioned below
.
See Attack
6 for Sylvia Ashton Warner's approach.
For
developmental junior classroom programme Attack 71 72 73 74 75 76 77
For senior
room developmental programmes see Attack 78 79 80 81 82 83 84 85
Threshold
timetables are described in Attack 87 88 89 90
.The transition to a community of learners
It’s
obvious that developing a classroom as a community of learners along
developmental /holistic lines is difficult to define as it depends on a number
of factors, the teacher’s confidence in various learning areas, the independent
learning skills of the students and, most importantly the leadership of the
school. Programmes will necessarily be evolutionary and it is good advice to proceed
slowly – as Steven Covey says to ‘keep the end in mind’.
Some good advice about class programmes
Creative
class management is the art, or craft, of creating the conditions that provide
students with enough security and structure for them to take the learning risks
required to develop personalised learning. Too much chaos leads to disorder -
too much structure reduces the learner’s ability to
make decisions and choices.
Most current classroom management procedures are determined by unquestioned
routines and habits that reflect a past age.
Class management |
'If there is any other situations fraught with
danger for mental health as that of a class held rigid by fear, it is a class
exposed to the anxieties engendered by unlimited freedom. There is nothing as
terrifying to the immature human being as a completely unstructured situation.
Without a recognisable structure they feel the teacher has abandoned them - and
so he has- to their own impulses, all of which are by no means always
constructive.' B Morris
'I would caution student teachers to always be
flexible with kids, but not to leave them with no structure, because many times
we are the only structure these kids have.' Kouzes
and Postner
'It is significant to realise that the most
creative environments in our society are not the ever-changing ones. The
artist's studio, the researcher's laboratory, the scholar's library are each
kept deliberately simple so as to support the complexities of the work in
progress. They are deliberately
kept predictable so the unpredictable can
happen.' Lucy Calkins
'Without containment, spontaneity, exhalation
and freedom of the mind could seep into license and anarchy, where all day has
no shape. A benign routine helps our child to gain responsibility and our
school to stability.'
Sylvia Ashton Warner
'The word
'freedom' can never be uttered unless accompanied hand in hand with the word
responsibility. It is kinder to keep the lid on the school for a start, lifting
it little by little, simultaneously teaching responsibility, until the time
comes when the lid can be cast entirely aside and only two conditions remain -
freedom and responsibility'. Sylvia
Ashton Warner
The need to ‘reframe’ literacy and numeracy.
One easy
step to take would be integrate literacy and numeracy (renamed language arts
and
mathematics?) into the current class research study. Ability grouping is
counterproductive to the development of a learning community and students need
to be helped at point of need individually or in small groups as required. Many language and maths tasks can themselves
be research based but, sounding heretical, if maths is activity based it is
better to do fewer things well.
Creativity as important as literacy |
The key role of the inquiry programme.
In a
learning community the main source of intellectual energy is provided by the
studies the class undertakes. Such studies need to cover the main strands of
the Learning Areas – many studies will integrate a number of strands from
different subject areas.
In line
with a developmental approach inquires might need to be, at first, determined
by the teachers, but as teachers confidence develops more choice and
responsibility can be passed on to the students.
The New Zealand Curriculum (2007) asks teachers to help their
students become ‘seekers, users and
creators of their own knowledge’ which is in line with the thoughts of John Holt expressed
earlier. This problem solving approach underlines the
requirements of all the NZC Learning Areas. There are a range of inquiry models for schools to make use of.
The wider the range of content explored the more opportunity to tap into, uncover, or amplify students’ unique gifts and talents.
It is good
advice to do fewer things well and in depth than to cover lightly many areas
and it is also good advice to ‘slow the pace of students work’ to give you time
to come alongside them to assist then to challenge them dig deeper as needed. Much work is spoiled
because many students have internalised the idea that first finished is best.
Process is important but so then is the quality of the finished product.
John Dewey wrote about his experimental school early last century, 'every child in some sense was turned into a researcher whose duty was to discover and satisfy his or her own capacities and needs and then, also to discover how this had been done.'
The need to reimagine group work.
Ability
grouping needs to be replaced with more focussed group work – each group
requiring different requirements. Four groups seem a sensible arrangement. One
group working with a teachers doing an introductory activity – perhaps a
science experiment relating to the current study; a following group writing up
their findings; a group researching using computers; and another doing a
creative activity based on the study.
Two great practical books |
Some
classes have experimented with four groups rotating through the day: language
arts group; a maths group; a group completing work for presentation; and a
group doing creative work. Group
tasks
will depend on what is currently being studied.
With expertise some teachers might, for brief times when independent learning skills are in place, move into a free choice integrated day.
More than literacy and numeracy |
With expertise some teachers might, for brief times when independent learning skills are in place, move into a free choice integrated day.
It is good
advice to move into experimental organisation in the last weeks of a term
giving time to assess progress over the holidays!
Teacher displays and room environments.
Part of the
tempting learners (Jerome Bruner) can be achieved by setting up a range of
displays to capture students’ curiosity. Every Learning Area provide ideas for
displays. From such displays students’
questions arise and can be added to the display. As students computer tasks these
questions (and later researched answers) can be added to the displays to inform
visitors of class
learning.
learning.
I see the a
modern school as an amalgam of an artist’s studio, a media centre, a science
laboratory, an art gallery; an
educational Te Papa with students being the researcher planning and developing
displays
John Dewey wrote early in the 20thC ‘The
only way in which adults consciously control the kind of education the immature
get is by controlling the environment in which they act and feel. We never
educate directly, but indirectly by means of the environment. Whether we permit
chance environments to do the work, or whether we design environments to the
purpose makes a great difference.’
Guy Claxton’s ‘learnacy’ and the New Zealand
Curriculum’s competencies
The New Zealand Curriculum emphasizes the need to develop in
all students the key competencies to become lifelong learners. In a class
undertaking a community of learners’ model such competencies are implicit but students’
attention needs to be drawn to them when appropriate.
Claxton’s message is that schools must change. ‘We ought not to put up with students
enduring a passive depersonalised assembly line experience’. 'We now know
enough that no student need fail if we' , as Claxton says, 'attend more successfully to cultivating the qualities of character and
mind that modern life demands; curiosity, imagination, disciplined thinking, a
love of genuine debate, scepticism. These are the learning dispositions that
students can use their whole lives’.
‘If education has lost the plot', Claxton writes, ‘we need 'a
narrative for education that can engage and inspire children and their families
- a tale of trials and adventure, of learning derring-do and learning heroism.
Let's fire the kids up with the deep satisfaction of discovery and exploration.
They are born with learning zeal; let us recognise, celebrate and protect it,
but also stretch, strengthen and diversify it’
Jerry
Starratt, an expert on school leadership, has written. 'In a very real sense...human being create themselves and school can
be stage on which children work through the plot, rehearse their roles, learn
the cues, create social functions, try out their 'ideal selves' for size, play
hero parts which demonstrate their capability for greatness.' This is the
essence of personalised education
Final words to American business ‘guru’ Tom
Peters (who has holiday home in Golden Bay) from his book ‘Re-Imagine’.
'I imagine a school system that recognizes
learning is natural, that a love of learning is normal, and that real learning
is passionate learning. A school curriculum that values questions above
answers…creativity above fact regurgitation…individuality above conformity...
and excellence above standardized performance….. And we must reject all notions
of 'reform' that serve up more of the same: more testing, more 'standards',
more uniformity, more conformity, and more bureaucracy’.
How do you imagine the shape of education system
able to ensure all students thrive in an ever changing, uncertain but
potentially exciting future?
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