It has been
a wet weekend and by chance I have watched parts of talent shows on TV. What impressed
me were the individuals that, until they begin their presentation, are often
discounted by judges and viewers. One young man had a debilitating lisp which
disappeared as he began to sing.
Contestants
are judged by what they can demonstrate.
This ought to be the basis for education. Imagine schools premised on the development of gifts and talents of all students rather than assessing them on their ‘success’ in standardised tests and then only in a narrow range of subjects.
This ought to be the basis for education. Imagine schools premised on the development of gifts and talents of all students rather than assessing them on their ‘success’ in standardised tests and then only in a narrow range of subjects.
Creativity
is not in the forefront of teacher’s minds. The arts seem to have reduced to
formulaic illustration or decoration rather than the ultimate form of
personalised expression.
Sir Ken
Robinson, a leading authority on creativity and innovation, believes that
finding one’s passion changes everything. Although widely admired his advice is
not translated into action by schools still focusing their programmes on
achieving in literacy and numeracy. As a result many young people leave school
unsure of their talents – worse still many feel alienated.
This is not
to demean literacy and numeracy but for teachers to ‘reframe’ them in the
service of authentic student inquiry learning. Placing personalised student inquiry learning
central would make a real difference but few schools do this.
It is easy
to see where schools place their importance by the hierarchy of subjects and the time allotted – the
arts at the rear. Add in standardised testing and this results in very narrow view
of intelligence and an overvaluing of particular sorts of abilities and
stifling of others.
In recent
decades politician have had far too much influence for ideological reasons –
much of it to provide data ( in literacy and numeracy) to allow, so called,
parent choice, competition through league tables and, in many countries, the
privatisation of education as seen in the Charter School movement; the
provision of standardised tests in now big business.
Schools seem
unable to provide the real alternative – to rethink the purpose of education
for the 21st Century, to really value the diverse nature of human
talents, and to celebrate the diversity of their students. Ironically New Zealand teachers can access the ideas of Elwyn Richardson who provided the
genesis of a solution in the 1960s in his recently re-published book by the
NZCER ‘In the Early World.’
In many respects we need to go back to the creative days of the 60s but this time to do it properly!
There are
inspiring models of creative education to draw inspiration from. Sir Ken is impressed with the Reggio Emilia schools of Milan established in the 60s. The Emilia schools are true community schools
where the curriculum is child directed and teachers take their lessons where
student’s interests dictate. The curriculum is built around projects in which
students make discoveries from a variety of perspectives. The teachers consider
themselves as co- researchers learning alongside their students. Many older New Zealand teachers will recognise such a holistic approach.
There are still schools, where there is courageous leadership, that continue to base their curriculum on the provision of exciting experiential experiences that
naturally integrate literacy and numeracy and encourage collaboration between
teachers to access a range of disciplines.
Innovative Brazilian businessman Ricardo Semler has establishes his Lumiar Schools along similar lines. I
know of New Zealand schools that make use of American middle school educator
James Beane’s concept of developing curriculums around student generated questions.
Chinese born American educator Yong Zhao believes that American education is at a crossroads. He worries about the increasing standardisation of education
believing that this approach will be disastrous to the future of America –
particularly as China is doing its best to develop creativity in its own
system. He believes that America needs a
‘citizenry of creative individuals with a wide range of talents to sustain its
tradition of innovation’.
One idea
Zhao shares in his book ‘Catching Up or Leading the Way’ is to build on school
talent shows – school assembly performances in the New Zealand situation. I envisage New Zealand schools building
curriculums around integrating science and maths fair projects, and art
performances, as part of an on-going years programme.
Yong Zhao believes
that such activities recognize a broad range of talents, they teach children to
respect each other, to take initiative and responsibility, to appreciate that
they all have different talents and to provide opportunities to discover new
talents. Such presentations, exhibitions
and demonstrations encourage students to face consequences of their choices and
actions; facing public audiences of their parents and families does take
courage. Add in the range of sporting and extra curricula activities (both of
which need to be mainstreamed into the curriculum) and schools would be
transformed.
Most of all,
writes Yong Zhao, such ‘activities sends a strong message to the community…
that our schools value different talents, that their children are talented in
different ways’. ’Lastly, he writes, ‘the activity helps all the children to
be proud of their strengths rather than focusing on their weaknesses’.
Most schools now accept Howard Gardner’s idea
of multiple intelligences independent of each other. Gardner writes ‘that we
are born to be good at something but poor at others. As a result, each of us
has a unique talent profile.
As long as
school focus on the importance of academic learning, concentrating on literacy
and numeracy, schools discriminate against other talents.
Expanding
the definition of success means how we measure success – success that cannot be
measured through standardised testing. Indicators of success would need to
include student products, teacher observations, and classroom and school wide
performances.
Schools Young Zhao writes, need to be held ‘accountable for
providing the best educational environments for all students’ rather than
‘holding schools accountable for raising test scores’. He writes, ‘we need to
hold schools accountable for ensuring all students have the same high quality
educational opportunities’
We don’thear our current Minister talking about the personalisation of learning, ‘the
drive to tailor education to individual need, interest and aptitude so as to
fulfil every young person’s potential’….’ Giving every single child the chance
to be the best they can be, whatever their talent of background’
Schools who
wish to focus on discovering and cultivating the strengths of each individual
child instead of focusing on proving and remedying their ‘deficiencies’ as measured by questionable standards need to
ask some pertinent questions ( from Riane Eisler 2000):
1. Are each child’s intelligences and
capabilities treated as unique gifts to be nurtured and developed?
2. Do students have a real stake in
their education so that their innate enthusiasm is not dampened?
3. Do teachers act primarily as
lesson-dispensers and controllers, or as mentors and facilitators?
4. Does the curriculum not only
effectively teach students basic skills as the three Rs of reading writing, and
arithmetic but also model the life-skills they need to be competent and caring
citizens?
5. Is the structure of the school,
classroom one of top down authoritarianism or is a more democratic one?
6. Do students, teachers, and other staff
participate in school decision making and rule setting?
Seems like
good questions?
Does New
Zealand have talent? Or are we leaving it to chance? The latter I think.Time for schools to step up.
3 comments:
Couldn't agree more but I fear that school principals haven't the insight to see that they are part of the problem - they direct schools as they taught. Talent development is beyond them. They are compliant rather than creative
This is what the MOE think of creativity Bruce. nzcurriculum.tki.org.nz/System-of-supp… Read and despair.
Hi Mac
Mentioning creativity and the Ministry in the same sentence is an oxymoron. How can they support both National Standards and the NZC. They are but puppets on political strings!
Anon - I fear you are right. Principals suffer from being too compliant - they have to look after their school's reputation before creativity. Hard to do both..
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